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                <text>Posset cup and saucer (清朝) Qing dynasty(comma) late eighteenth century(comma) Canton region trade ware. Porcelain with orange decoration. Flowers(comma) bats(comma) conventional borders. Hand painted(comma) gilt rim and finial(comma) entwined strap handle. This shape was undoubtedly meant for foreign trade either to England or France. It would have been used by ladies of society to sip coffee(comma) tea(comma) or chocolate.&#13;
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                <text>Vase or storage jar(comma) (大明) Ming Dynasty 1368 – 1644 CE(comma) seventeenth century. (五彩) Wŭ căi(comma) five colored porcelain with blue underglaze and enamel overglaze(comma) Phoenix and foliage design. Wŭ căi was extremely popular in the Ming Dynasty(comma) although it appears there are only three colors(comma) blue(comma) red(comma) and green(comma) the white of the porcelain and the black outlines are counted as colors adding up to five.&#13;
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                <text>(钧窑) jūn yáo(comma) Jun ware bowl with stand(comma) (宋朝) Sòng dynasty 960 – 1279 CE(comma) stoneware bowl with blue flame glaze. This piece is an example of classic Song dynasty jun ware(comma) thin walls(comma) elegant and simple shape. The blue color is created by adding straw ash to the glaze before firing with a small flame showing within the bowl. The stand(comma) probably made many centuries later(comma) is an indication that the bowl was held in high esteem by its owner.&#13;
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                <text>Storage Jar ca. 1930’s. Stoneware with emerald green glaze and wooden lid. Southern China. The symbol (囍) xĭ (comma) double happiness is incised on the side. This indicates that it was a wedding gift. This type of jar is often called a ‘ginger jar’ in the west. The shape has been common since the (唐) Táng dynasty and has been used to store everything from rice to wine. The glaze on this jar has a particularly elegant crackle.</text>
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                <text>Tea caddy with wooden cover(comma) (清朝) Qing Dynasty 1644 – 1912 CE. Eighteenth century blue underglaze porcelain. This type of blue and white porcelain is typical eighteenth century manufacture. The blue is lighter in shade than earlier Ming and later nineteenth century trade wares. The shape was used to store loose leaf tea for immediate use.</text>
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                <text>(鬲) Li tripod(comma) Inner Mongolia (夏家店文化) Xìajiādiàn culture 2200 – 1600 BCE. Brown earthenware charred black. Li tripods were an extremely efficient invention of Chinese ceramic technology. The legs were made hollow so as to allow for greater surface area being exposed to heat when the vessels were placed in a fire  eating the food faster and using less fuel. This elongated version is typical of the area now called Inner Mongolia.</text>
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                <text>Porcelain plate(comma) (清朝) Qing Dynasty 1644 – 1912 CE. This pattern is from the Qianlong period of the Qing Dynasty 1735 – 1796 CE. This is blue and white porcelain with red and gold overglaze. Blue and white porcelain was first manufactured in the Tang Dynasty and reached its height during the late Ming and Qing dynasties. The blue comes from cobalt oxide tempered with magnesium.</text>
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                <text>(罐) Two handled guan vessel(comma) (寺洼) Sìwā culture 2100 – 1000 BCE(comma) Gansu Province. Gray earthenware. The Sìwā culture developed at the Holocene optimum in the Hexi corridor of Gansu Province(comma) later a part of the Silk Road. Their ceramics were noted for an elegant simplicity and for the (马鞍口) Mă ān kŏu(comma) saddle mouth shape of the rim which was unique to the Sìwā.</text>
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                <text>Cream pitcher(comma) Rose Canton pattern (清朝) Qing Dynasty 1644 – 1912 CE. Early nineteenth century Rose Canton porcelain. Manufactured in Jingdezhen and sent to Canton for painting. The shape is only for foreign trade as Chinese tea sets do not have cream pitchers. The colorful domestic scene satisfied western tastes for exotic scenes from far away China continuing the popular fad from the eighteenth century.</text>
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