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                  <text>Navajo Rugs</text>
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                <text>Dates: 1920-1999&#13;
Size: 162 x 97 cm&#13;
Description: The less common Red Mesa regional style descends from Eyedazzlers of the Transitional Period (1863-1890). Eyedazzler designs are known for their unusually bright colors and intricate designs that create an optical effect. Red Mesa rugs use contrasting outlines of design features to create a similar optical effect. The typical motif is a serrated diamond. This example has geometric 2-diamond pattern with saw tooth edges woven in red(comma) cream(comma) brown(comma) black.</text>
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                <text>Dates: 1900-1925&#13;
Size: 163.5 x 114 cm&#13;
Description: The Crystal Trading Post was run by John B. Moore starting in 1897. He incorporated a new marketing technique that introduced Anglo-American customers to Navajo weaving through mail order catalogues. Each catalogue had a series of weaving patterns(comma) sizes(comma) qualities(comma) and colors from which the customer could choose. Although rugs were based on the catalogue patterns(comma) no two designs were ever the same. The Old Crystal type of weaving broke with traditional Navajo designs and incorporated popular Near Eastern rug motifs(comma) including adding borders and incorporating a central motif. Also characteristic of the Old Crystal style is a more muted color scheme(comma) with the incorporation of only red and touches of blue for bright colors. This example incorporates natural and aniline dyes to create shades of black(comma) gray(comma) tan(comma) red(comma) orange(comma) and blue.</text>
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                <text>Dates: 1915-1945&#13;
Size: 148 x 104.5 cm&#13;
Description: After a decline in the Navajo rug market during the Great Depression(comma) a revival period(comma) focused in northeastern Arizona(comma) brought back stylized classic designs made with vegetable dyed wools. One of the best known regional types is the Ganado style. The modern regional Ganado type is distinguished by the use of predominately red(comma) gray(comma) ivory(comma) and black in bold designs. Motifs can include stepped diamonds and triangles(comma) central lozenges(comma) crosses(comma) and zigzags. This example incorporates shades of red(comma) black(comma) and white to create a diagonal zigzag pattern.</text>
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                <text>Posset cup and saucer (清朝) Qing dynasty(comma) late eighteenth century(comma) Canton region trade ware. Porcelain with orange decoration. Flowers(comma) bats(comma) conventional borders. Hand painted(comma) gilt rim and finial(comma) entwined strap handle. This shape was undoubtedly meant for foreign trade either to England or France. It would have been used by ladies of society to sip coffee(comma) tea(comma) or chocolate.&#13;
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                <text>Vase or storage jar(comma) (大明) Ming Dynasty 1368 – 1644 CE(comma) seventeenth century. (五彩) Wŭ căi(comma) five colored porcelain with blue underglaze and enamel overglaze(comma) Phoenix and foliage design. Wŭ căi was extremely popular in the Ming Dynasty(comma) although it appears there are only three colors(comma) blue(comma) red(comma) and green(comma) the white of the porcelain and the black outlines are counted as colors adding up to five.&#13;
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                <text>(钧窑) jūn yáo(comma) Jun ware bowl with stand(comma) (宋朝) Sòng dynasty 960 – 1279 CE(comma) stoneware bowl with blue flame glaze. This piece is an example of classic Song dynasty jun ware(comma) thin walls(comma) elegant and simple shape. The blue color is created by adding straw ash to the glaze before firing with a small flame showing within the bowl. The stand(comma) probably made many centuries later(comma) is an indication that the bowl was held in high esteem by its owner.&#13;
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                <text>Storage Jar ca. 1930’s. Stoneware with emerald green glaze and wooden lid. Southern China. The symbol (囍) xĭ (comma) double happiness is incised on the side. This indicates that it was a wedding gift. This type of jar is often called a ‘ginger jar’ in the west. The shape has been common since the (唐) Táng dynasty and has been used to store everything from rice to wine. The glaze on this jar has a particularly elegant crackle.</text>
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                <text>Dates: 1920-1930&#13;
Size: 244 x 143 cm&#13;
Description: After a decline in the Navajo rug market during the Great Depression(comma) a revival period(comma) focused in northeastern Arizona(comma) brought back stylized classic designs made with vegetable dyed wools. One of the best known regional types is the Ganado style. The modern regional Ganado type is distinguished by the use of predominately red(comma) gray(comma) ivory(comma) and black in bold designs. Motifs can include stepped diamonds and triangles(comma) central lozenges(comma) crosses(comma) and zigzags. This regional example was collected by Edward Gifford's father while working for the Bureau of Indian Affairs in the early 1930's and is made of natural browns and aniline dyed red wool.</text>
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        <name>AZ</name>
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        <name>Ganado</name>
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        <name>Ganado Rug</name>
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        <name>Navajo Rugs</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Navajo Rugs</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Dates: 2012&#13;
Description: This rug was commissioned from Anita Hathale specifically for the 2012 Navajo weaving exhibition.  It depicts the Twin War Gods(comma) Naayéé' Neizghání (Monster Slayer) and TóBajishchíní (Born-for-Water). In their legendary search for their father the Sun(comma) the twins faced many trials(comma) one of which involved climbing over a huge sand dune. The colors in this rug-black(comma) white(comma) yellow and blue are associated with the four cardinal directions as well as specific Navajo songs(comma) stories and philosophies.</text>
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        <name>Monticello</name>
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      <tag tagId="41">
        <name>Navajo Rugs</name>
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      <tag tagId="47">
        <name>Pictorial Rug</name>
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      <tag tagId="49">
        <name>UT</name>
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