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                <text>Dates: 1920-1940&#13;
Size: 198 x 126 cm; 7 warps(comma) 30 wefts&#13;
Description: After a decline in the Navajo rug market during the Great Depression(comma) a revival period(comma) focused in northeastern Arizona(comma) brought back stylized classic designs made with vegetable dyed wools. One of the best known regional types is the Ganado style. The Klagetoh type is often considered a subtype of the Ganado. It features a single or double central diamond motif enclosed by a thick border. What distinguishes Klagetoh from Ganado is that Klagetoh weavings have predominately gray(comma) instead of red(comma) backgrounds. This regional example was woven by Esther Billie using aniline and natural dyed handspun wools.</text>
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                <text>Dates: 1920-1940&#13;
Size: 200 x 118 cm; 6 warps(comma) 16 wefts&#13;
Description: This rug is likely an example of the Chinle Revival style(comma) a regional variation developed beginning in the 1920's that promoted a return to traditional patterns and natural dyes. Chinle style rugs are borderless and consist of a fairly simple banded pattern that often incorporates blossoms(comma) chevrons(comma) diamonds(comma) and squash designs in pastel or earth-tones.</text>
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                <text>Location: Colima(comma) Central Pacific coast of Peru&#13;
Culture: Chupicuaro (Tarascan)&#13;
Dates: 200 BC – 300 AD&#13;
Description: Realistically molded terracotta conch shell trumpet with handle for hanging. Conch shell trumpets were used throughout Mesoamerican cultures to announce significant events and arrivals(comma) during religious ceremonies(comma) and on the battle field. They are also associated with various Mesoamerican deities. Shells are believed to have symbolized power and authority in the Tarascan culture.</text>
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                <text>Dates: 1900-1910&#13;
Size: 188 x 131.5 cm; 6 warps(comma) 16 wefts&#13;
Description: This rug is made of natural and aniline dyed wools to create shades of red(comma) brown(comma) grey(comma) and tan. This pattern(comma) often called “whirling logs(comma)” is rather unique and has not been typed to a specific regional style. Family history of the donors states the rug was made near Zuni Pueblo(comma) which could explain the unique pattern since there was not a historic trading post in the area tied to Navajo weaving.</text>
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                <text>Morphology: Transverse Flute&#13;
Location: Peru&#13;
Culture: Aymara&#13;
Dates: 20th century&#13;
Description: This is a transverse(comma) or side-blown(comma) flute with six fingerholes. This style of flute is known in the Andean Aymara language as a pitu(comma) which is derived from the Spanish word pito(comma) simply meaning whistle.  The traditional Aymara word for such aerophones was falawatu.  Although the instrument has European origins(comma) the music played by the Aymara is traditional Andean music.  It is often played solo(comma) in ensemble with other flutes and drums(comma) or with a harp(comma) violin and drums.</text>
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                <text>Morphology: Ko-kiu&#13;
Location: Japan&#13;
Culture: Japanese&#13;
Description: The kokyu is typically made of an ebony neck and a body of coconut or wood that is covered with cat or snake skin. It typically has three strings and is played upright. The kokyu is similar to the shamisen(comma) but is smaller and the only traditional Japanese stringed instrument that is played with a bow.</text>
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                <text>Morphology: Shamisen&#13;
Location: Japan&#13;
Culture: Japanese&#13;
Dates: 1925-1968&#13;
Description: The shamisen(comma) or sangen(comma) is a traditional Japanese plucked three-string chordophone.  This particular model is called a Ryukyu shamisen or sanshin because it has a snake-skin body.  It is similar in style to the bowed kokyu but is instead plucked with a large plectrum called a bachi.  This example features stretched snake skin over the body. It is similar in sound to a banjo.</text>
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                <text>Continent: Asia&#13;
Location: Japan&#13;
Culture: Japanese&#13;
Dates: 1900-1968&#13;
Description: The Japanese shō is an instrument that was introduced by the Chinese during the Nara period (1710 AD-794 AD).  It was modeled after the Chinese sheng.   Sound is produced by inhaling or exhaling through the mouthpiece activating rectangular reeds mounted in the side of the bamboo pipes. The two longest pipes do not produce sound but are symbolic of the wings of the Phoenix to which the sound of the shō is attributed.  It is one of three primary instruments in the gagaku(comma) or Japanese imperial court(comma) music tradition.</text>
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                <text>Morphology: Oud&#13;
Location: Syria&#13;
Culture: Arab&#13;
Dates: 1900-1968&#13;
Description: The oud is a North African and Middle Eastern instrument similar to the European lute and could date back almost 5(comma)000 years based on a cylinder seal from Uruk. The modern oud has been modified from these early forms(comma) but retains similar characteristics. Defining features of an oud include a staved(comma) bowl-like back to the body which affects the resonation(comma) three sound holes in the body(comma) a tapering neck with no frets(comma) eleven strings (10 of which are paired together)(comma) and a 45-90 degree backward bend in the pegbox of the neck. The oud is typically played with a thin pick(comma) or plectrum. Syrian ouds often have less decoration than those from other areas.</text>
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                <text>Morphology: Bagpipe&#13;
Location: Saudi Arabia&#13;
Culture: Arab&#13;
Description: This bagpipe-like instrument is known as the mišnice or mjeršnice.  It is made of goatskin or the skin of other domesticated animals. They have been known to exist in Europe since the 9th Century. They are a common instrument in traditional Croatian(comma) Serbian(comma) Hungarian and Ukrainian music.  It is played by blowing into one pipe to fill the chamber while changing the melody by covering and uncovering holes on another pipe and releasing air from the chamber.</text>
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