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                  <text>Navajo Rugs</text>
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                <text>Dates: 1962&#13;
Size: 170 x 124.5 cm; 7 warps(comma) 30 wefts&#13;
Description: Woven by Margaret Bochinelonny of natural(comma) carded(comma) and aniline dyed handspun wools(comma) this rug depicts the tree of life in the interior panel(comma) as well as various representations of animals along the borders. A spirit trail is woven into the upper right hand corner(comma) extending from the interior panel to the border. Although there are some pictorial elements in earlier Navajo weavings(comma) pictorial rugs did not become common until the 20th century.</text>
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        <name>Lukachukai</name>
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                <text>Dates: 1920-1940&#13;
Size: 242 x 166 cm; 9 warps(comma) 28 wefts&#13;
Description: This rug is an example of the Old Chinle" style(comma) a regional variation developed beginning in the 1920's that promoted a return to traditional patterns and natural dyes. This example was created with wools colored using experimental Dupont dyes manufactured in 1935. The dyes were designed to simulate the soft colors of vegetal dyes traditionally used in Navajo weaving(comma) but did not become popular and were discontinued. Chinle style rugs are borderless and consist of a fairly simple banded pattern that often incorporates blossoms(comma) chevrons(comma) diamonds(comma) and squash designs in pastel or earth-tones."</text>
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                <text>Dates: 1880-1890&#13;
Size: 141.5 x 87 cm; twill weave&#13;
Description: This twill weave was made of natural and aniline colored wool to create alternating red and white stripes with indigo blue(comma) orange(comma) and yellow squares. Twill is common form of the double weave(comma) which uses four heddles instead of the regular two used in plain weaves. The four heddles are manipulated to produce a diagonal or diamond raised weave. Although there are archaeological examples of the technique(comma) it did not become common until the 1880's. Double weaves were typically used for creating saddle blankets because they are almost double the thickness of a plain weave.</text>
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                <text>Dates: 1875-1880&#13;
Size: 226.5 x 106.5 cm; 14 warps(comma) 46 wefts&#13;
Description: This is an uncommon style of weaving that is often labeled a slave blanket". Although the stylistic term implies servitude of a Navajo weaver(comma) this is not necessarily the case. Instead(comma) such blankets are defined as those woven on a Navajo loom(comma) but containing Spanish-American traits(comma) such as layout(comma) design(comma) elements(comma) warp ply(comma) warp spacing(comma) color scheme(comma) or dyes typical of the Rio Grande region. In this example(comma) the blanket prominently displays a Spanish-American Saltillo pattern first introduced to the Navajos around 1868 and often used on elaborate sarapes. The blanket was woven using commercial yarn and handspun wool dyed with natural and indigo colors."</text>
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                <text>Dates: 1944-1944&#13;
Size: 157.5 x 104.5 cm; 8 warps(comma) 44 wefts&#13;
Description: This rug is a unique example that represents mid-20th century experiments by the United States government to assist the Navajo economy. In 1935 the Southwestern Range and Sheep Breeding Laboratory was established at Fort Wingate(comma) Arizona. Due to sheep breeding issues in the late 19th and early 20th century(comma) the quality of wool used in Navajo weaving had deteriorated. The Fort Wingate School program aimed at developing better quality wool(comma) and thus weavings(comma) while also retaining adequate meat supply on the reservation. Not only was this rug created by a Navajo weaver at the Fort Wingate School(comma) but it was also one of 75 made with expensive experimental chrome dyes that were supposed to create brighter colors.</text>
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                <text>Date: 1960&#13;
Size: 86.5 x 139.5 cm; twill weave</text>
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                <text>Dates: 1960&#13;
Size: 141.5 x 85.5 cm; twill weave&#13;
Description: This double saddle blanket was made using a diamond twill weave of natural(comma) carded(comma) and aniline dyed handspun wool. Twill is common form of the double weave(comma) which uses four heddles instead of the regular two used in plain weaves. The four heddles are manipulated to produce a diagonal or diamond raised weave. Although there are archaeological examples of the technique(comma) it did not become common until the 1880's. Double weaves were typically used for creating saddle blankets because they are almost double the thickness of a plain weave. Furthermore(comma) double sized saddle blankets were typically folded in half to provide even more cushion beneath the saddle.</text>
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                <text>Dates: 1930&#13;
Size: 157 x 90 cm; 7 warps(comma) 18 wefts&#13;
Description: This rug was in the doorway of the New Mexico exhibit at the World's Fair Century of Progress Exhibit in Chicago(comma) 1933. Almost 3 million people walked over the rug during the exhibit. The natural(comma) carded(comma) and aniline dyed handspun wool rug is an example of the Ganado style. After a decline in the Navajo rug market during the Great Depression(comma) a revival period(comma) focused in northeastern Arizona(comma) brought back stylized classic designs made with vegetable dyed wools. One of the best known regional types is the Ganado style. The modern regional Ganado type is distinguished by the use of predominately red(comma) gray(comma) ivory(comma) and black in bold designs. Motifs can include stepped diamonds and triangles(comma) central lozenges(comma) crosses(comma) and zigzags.</text>
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                <text>Dates: 1860-1870&#13;
Size: 66.5 x 75.5 cm; 14 warps(comma) 64 wefts&#13;
Description: This small weaving is possibly half of a saddle blanket made of handspun wool with natural and vegetal colors. The saddle blanket is one of the only types of Navajo weavings that are still made for use by the Navajo themselves. Typically such weavings have a fairly simple pattern that incorporates stripes and basic geometric shapes.</text>
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                <text>Dates: 1961-1962&#13;
Size: 291.5 x 194.5 cm; 10 warps(comma) 26 wefts&#13;
Description: In 1905 Hambleton Bridger Noel established a trading post in the Four Corners area due to the high quality of rugs being produced by Navajo women in the area. The regional style of Teec Nos Pos developed from this post. Teec Nos Pos rugs feature a wide border with repeating geometric motifs(comma) while the central portion is filled with complex designs that show a definite Near Eastern influence. Motifs include stylized feathers(comma) arrows(comma) hooks(comma) diamonds(comma) triangles(comma) and steps. This example was woven by Mrs. Charles Huskay and won second prize at the 1962 Inter-tribal Indian Ceremonial in Gallup(comma) NM. It does not follow the typical design of a wide border and elaborate interior pattern(comma) but instead consists of elaborate design bands.</text>
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