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                  <text>Navajo Rugs</text>
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                <text>Dates: 1880-1890&#13;
Size: 141.5 x 87 cm; twill weave&#13;
Description: This twill weave was made of natural and aniline colored wool to create alternating red and white stripes with indigo blue(comma) orange(comma) and yellow squares. Twill is common form of the double weave(comma) which uses four heddles instead of the regular two used in plain weaves. The four heddles are manipulated to produce a diagonal or diamond raised weave. Although there are archaeological examples of the technique(comma) it did not become common until the 1880's. Double weaves were typically used for creating saddle blankets because they are almost double the thickness of a plain weave.</text>
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        <name>Navajo Rugs</name>
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                <text>Dates: 1920-1940&#13;
Size: 242 x 166 cm; 9 warps(comma) 28 wefts&#13;
Description: This rug is an example of the Old Chinle" style(comma) a regional variation developed beginning in the 1920's that promoted a return to traditional patterns and natural dyes. This example was created with wools colored using experimental Dupont dyes manufactured in 1935. The dyes were designed to simulate the soft colors of vegetal dyes traditionally used in Navajo weaving(comma) but did not become popular and were discontinued. Chinle style rugs are borderless and consist of a fairly simple banded pattern that often incorporates blossoms(comma) chevrons(comma) diamonds(comma) and squash designs in pastel or earth-tones."</text>
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                <text>Dates: 1962&#13;
Size: 170 x 124.5 cm; 7 warps(comma) 30 wefts&#13;
Description: Woven by Margaret Bochinelonny of natural(comma) carded(comma) and aniline dyed handspun wools(comma) this rug depicts the tree of life in the interior panel(comma) as well as various representations of animals along the borders. A spirit trail is woven into the upper right hand corner(comma) extending from the interior panel to the border. Although there are some pictorial elements in earlier Navajo weavings(comma) pictorial rugs did not become common until the 20th century.</text>
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                <text>Dates: 1941-1942&#13;
Size: 147 x 105 cm; 6 warps(comma) 28 wefts&#13;
Description: This is a two-faced double weave made with aniline(comma) natural(comma) and carded dyed wool in shades of red(comma) brown(comma) white(comma) and black. A two-faced textile has a complex pattern on one side and more basic stripes on the reverse. To accomplish this two-sided pattern four(comma) instead of two(comma) heddles are used during weaving. Two heddles are used for the back and two for the front design. Although this example is a rug(comma) double weaves were typically used for creating saddle blankets because they are almost double the thickness of a plain weave.</text>
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        <name>Specialty Weave Rug</name>
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                <text>Dates: 1941-1942&#13;
Size: 147 x 105 cm; 6 warps(comma) 28 wefts&#13;
Description: This is a two-faced double weave made with aniline(comma) natural(comma) and carded dyed wool in shades of red(comma) brown(comma) white(comma) and black. A two-faced textile has a complex pattern on one side and more basic stripes on the reverse. To accomplish this two-sided pattern four(comma) instead of two(comma) heddles are used during weaving. Two heddles are used for the back and two for the front design. Although this example is a rug(comma) double weaves were typically used for creating saddle blankets because they are almost double the thickness of a plain weave.</text>
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                <text>Dates: 1870-1885&#13;
Size: 202 x 153 cm; 15 warps(comma) 64 wefts&#13;
Description: This rug is tied to the Hubbell Trading post established in Ganado(comma) Arizona(comma) in 1876 by Lorenzo Hubbell. Hubbell was one of two major traders integral in promoting Navajo weaving in the Euro-American market. Initial designs made at the Post incorporated traditional Navajo weaving designs(comma) while in the early 20th century styles began to incorporate popular Near East motifs. The Hubbell Revival (or Old Ganado) style of rug is characterized by stepped diamonds and embellished triangles. The color of such rugs is typically dominated by red with black(comma) gray(comma) and ivory details. This example was originally thought to be a traditional (pre-trading post) blanket(comma) but was made with Germantown(comma) PA(comma) and handspun indigo yarns in a pattern that is found on one of the Hubbell Trading Post design paintings.</text>
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                <text>Dates: 1960&#13;
Size: 172 x 107.5 cm; 12 warps(comma) 34 wefts&#13;
Description: The Ye'ii Bicheii rug is similar to the Ye'ii design but the figures are portrayed in profile and symbolize human dancers representing deities rather than the deities themselves. These dancers are participants in the Nightway Chant(comma) which is a nine day Navajo healing ceremony. At the lead of the dancers(comma) in a white mask(comma) is the Ye'ii Bicheii(comma) or “Talking God” who appears on the last day of the ceremony. Often the design incorporates a Medicine Man (Hatathli) at the head of the line(comma) facing the lead dance(comma) and a Clown(comma) or Water Sprinkler(comma) at the end of the line of dancers. The Ye'ii Bicheii rug design is not as common as the regular Ye'ii version.</text>
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                <text>Dates: 1880-1890&#13;
Size: 344 x 328.5 cm; 11 warps(comma) 52 wefts&#13;
Description: Eyedazzler designs are known for their unusually bright colors and intricate designs that create an optical effect. The bright colors are a result of Germantown(comma) PA(comma) wool yarns that were traded/supplied to Navajo weavers predominantly during the Transitional Period (1880-1895). Blankets from the Transitional Period are characterized by banded ends. This example was made of commercial yarn and consists of 6 distinct patterns woven like a sampler. The large rug could have been used to demonstrate a variety of rug patterns available at one of the trading posts.</text>
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                <text>Dates: 1953&#13;
Size: 217 x 125 cm; 10 warps(comma) 26 wefts&#13;
Description: The Nazlini style of Navajo rug is a variation of the regional Chinle style developed in the 1930's. Similar to the Pine Springs and Wide Ruin regional styles developed during the same period(comma) the Chinle style consists of banded designs without borders created using earth tone colors. Common designs in Chinle bands include chevrons(comma) stars(comma) squash blossoms(comma) and diamonds. The Nazlini variation incorporates stylized plant motifs in place of repeating geometrics for some bands. This rug was woven by Mary Van Winkle of natural and aniline dyed wools to create shades of black(comma) white(comma) grey(comma) brown(comma) red(comma) yellow(comma) and green.</text>
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                <text>Dates: 1860-1880&#13;
Size: 286.5 x 132 cm; 11 warps(comma) 46 wefts&#13;
Description: This combination of handspun wool with natural dyes and commercial red and yellow yarn was collected by Stanley Stokes in 1880 and incorporates some traits of the transitional period. During the late 19th century Navajo weaving went through a period of transition where the market changed from creating wearing blankets to weaving rugs for Anglo-Americans. This new trade was funneled through trading posts where synthetic dyes and machine produced wool and yarn were made readily available. Rugs from this transitional period (1868 to 1900) are characterized as more coarsely woven with very bright colors. </text>
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