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                <text>Dates: 1900-1910&#13;
Size: 188 x 131.5 cm; 6 warps(comma) 16 wefts&#13;
Description: This rug is made of natural and aniline dyed wools to create shades of red(comma) brown(comma) grey(comma) and tan. This pattern(comma) often called “whirling logs(comma)” is rather unique and has not been typed to a specific regional style. Family history of the donors states the rug was made near Zuni Pueblo(comma) which could explain the unique pattern since there was not a historic trading post in the area tied to Navajo weaving.</text>
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                <text>Dates: 1920-1940&#13;
Size: 200 x 118 cm; 6 warps(comma) 16 wefts&#13;
Description: This rug is likely an example of the Chinle Revival style(comma) a regional variation developed beginning in the 1920's that promoted a return to traditional patterns and natural dyes. Chinle style rugs are borderless and consist of a fairly simple banded pattern that often incorporates blossoms(comma) chevrons(comma) diamonds(comma) and squash designs in pastel or earth-tones.</text>
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                <text>Dates: 1920-1940&#13;
Size: 198 x 126 cm; 7 warps(comma) 30 wefts&#13;
Description: After a decline in the Navajo rug market during the Great Depression(comma) a revival period(comma) focused in northeastern Arizona(comma) brought back stylized classic designs made with vegetable dyed wools. One of the best known regional types is the Ganado style. The Klagetoh type is often considered a subtype of the Ganado. It features a single or double central diamond motif enclosed by a thick border. What distinguishes Klagetoh from Ganado is that Klagetoh weavings have predominately gray(comma) instead of red(comma) backgrounds. This regional example was woven by Esther Billie using aniline and natural dyed handspun wools.</text>
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                <text>Dates: 1961-1962&#13;
Size: 291.5 x 194.5 cm; 10 warps(comma) 26 wefts&#13;
Description: In 1905 Hambleton Bridger Noel established a trading post in the Four Corners area due to the high quality of rugs being produced by Navajo women in the area. The regional style of Teec Nos Pos developed from this post. Teec Nos Pos rugs feature a wide border with repeating geometric motifs(comma) while the central portion is filled with complex designs that show a definite Near Eastern influence. Motifs include stylized feathers(comma) arrows(comma) hooks(comma) diamonds(comma) triangles(comma) and steps. This example was woven by Mrs. Charles Huskay and won second prize at the 1962 Inter-tribal Indian Ceremonial in Gallup(comma) NM. It does not follow the typical design of a wide border and elaborate interior pattern(comma) but instead consists of elaborate design bands.</text>
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                <text>Dates: 1860-1870&#13;
Size: 66.5 x 75.5 cm; 14 warps(comma) 64 wefts&#13;
Description: This small weaving is possibly half of a saddle blanket made of handspun wool with natural and vegetal colors. The saddle blanket is one of the only types of Navajo weavings that are still made for use by the Navajo themselves. Typically such weavings have a fairly simple pattern that incorporates stripes and basic geometric shapes.</text>
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                <text>Dates: 1930&#13;
Size: 157 x 90 cm; 7 warps(comma) 18 wefts&#13;
Description: This rug was in the doorway of the New Mexico exhibit at the World's Fair Century of Progress Exhibit in Chicago(comma) 1933. Almost 3 million people walked over the rug during the exhibit. The natural(comma) carded(comma) and aniline dyed handspun wool rug is an example of the Ganado style. After a decline in the Navajo rug market during the Great Depression(comma) a revival period(comma) focused in northeastern Arizona(comma) brought back stylized classic designs made with vegetable dyed wools. One of the best known regional types is the Ganado style. The modern regional Ganado type is distinguished by the use of predominately red(comma) gray(comma) ivory(comma) and black in bold designs. Motifs can include stepped diamonds and triangles(comma) central lozenges(comma) crosses(comma) and zigzags.</text>
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                <text>Dates: 1960&#13;
Size: 141.5 x 85.5 cm; twill weave&#13;
Description: This double saddle blanket was made using a diamond twill weave of natural(comma) carded(comma) and aniline dyed handspun wool. Twill is common form of the double weave(comma) which uses four heddles instead of the regular two used in plain weaves. The four heddles are manipulated to produce a diagonal or diamond raised weave. Although there are archaeological examples of the technique(comma) it did not become common until the 1880's. Double weaves were typically used for creating saddle blankets because they are almost double the thickness of a plain weave. Furthermore(comma) double sized saddle blankets were typically folded in half to provide even more cushion beneath the saddle.</text>
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                <text>Date: 1960&#13;
Size: 86.5 x 139.5 cm; twill weave</text>
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                  <text>Navajo Rugs</text>
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                <text>Dates: 1944-1944&#13;
Size: 157.5 x 104.5 cm; 8 warps(comma) 44 wefts&#13;
Description: This rug is a unique example that represents mid-20th century experiments by the United States government to assist the Navajo economy. In 1935 the Southwestern Range and Sheep Breeding Laboratory was established at Fort Wingate(comma) Arizona. Due to sheep breeding issues in the late 19th and early 20th century(comma) the quality of wool used in Navajo weaving had deteriorated. The Fort Wingate School program aimed at developing better quality wool(comma) and thus weavings(comma) while also retaining adequate meat supply on the reservation. Not only was this rug created by a Navajo weaver at the Fort Wingate School(comma) but it was also one of 75 made with expensive experimental chrome dyes that were supposed to create brighter colors.</text>
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                <text>Dates: 1875-1880&#13;
Size: 226.5 x 106.5 cm; 14 warps(comma) 46 wefts&#13;
Description: This is an uncommon style of weaving that is often labeled a slave blanket". Although the stylistic term implies servitude of a Navajo weaver(comma) this is not necessarily the case. Instead(comma) such blankets are defined as those woven on a Navajo loom(comma) but containing Spanish-American traits(comma) such as layout(comma) design(comma) elements(comma) warp ply(comma) warp spacing(comma) color scheme(comma) or dyes typical of the Rio Grande region. In this example(comma) the blanket prominently displays a Spanish-American Saltillo pattern first introduced to the Navajos around 1868 and often used on elaborate sarapes. The blanket was woven using commercial yarn and handspun wool dyed with natural and indigo colors."</text>
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