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                <text>(钧窑) jūn yáo(comma) Jun ware vase(comma) Jin – Yuan Dynasties 1115 – 1279 CE(comma) stoneware with blue flame glaze. This vase decorated with two frogs and two tadpole handles was most likely manufactured in one of the southern kilns. Medieval China needed trade with foreign countries and many of the kilns experimented with shapes and designs meant to please foreign tastes not court dominated aesthetics. Leaving the base unglazed was typical of Jin and Yuan period Jun ware.`</text>
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                <text>Tomb figure(comma) (汉朝) Han Dynasty 206 BCE – 220 CE(comma) Painted earthenware. Han emperors were buried with an entire retinue(comma) miniaturized in ceramic. This figure would have had articulated wooden arms and been dressed in silk garments with leather armor fitted with bronze weapons. He would have been accompanied by hundreds of other soldier as well as cavalry officers(comma) musicians(comma) dancers and court officials. All of the people an emperor would need to continue his life in the next world.</text>
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                <text>（钧窑）jūn yáo(comma) Jun ware vase(comma) （宋朝）Sòng dynasty 960 – 1279 CE(comma) stoneware vase with blue interior and red and purple exterior flame glaze. This piece shows the extent to which Sòng craftsman had developed their skills in ceramic art. This piece uses every possible variation of glaze developed by the Jun Kiln.`</text>
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                <text>(青瓷) qīng cí(comma) celadon bowl and stand(comma) (宋朝) Song Dynasty 960 – 1279 CE. Porcelain lotus shaped bowl. Celadon was developed in the Yaozhou kiln area in Shaanxi province in the late Tang Dynasty. It was highly prized because of its resemblance to jade. Bowls shaped like flowers with incised patterns are produced to this day in the region in the village of Chen Lu. The stand(comma) manufactured later(comma) is an indication of the esteem this bowl was held in.</text>
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                <text>(青瓷) qīng cí(comma) celadon bowl and stand(comma) (宋朝) Song Dynasty 960 – 1279 CE. Porcelain lotus shaped bowl. Celadon was developed in the Yaozhou kiln area in Shaanxi province in the late Tang Dynasty. It was highly prized because of its resemblance to jade. Bowls shaped like flowers with incised patterns are produced to this day in the region in the village of Chen Lu. The stand(comma) manufactured later(comma) is an indication of the esteem this bowl was held in.</text>
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                  <text>Navajo Rugs</text>
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                <text>Dates: 1930-1939&#13;
Size: 72.5 x 66 cm; 6 warps(comma) 18 wefts&#13;
Description: Tapestry weave with goat hair tufts woven in at 1 intervals. This type of mat was frequently used by a weaver as a cushion while working."</text>
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                <text>Dates: 1910-1915&#13;
Size: 216 x 132 cm; 7 warps(comma) 24 wefts&#13;
Description: This rug was bought in 1915 at the Crystal Trading Post. The Crystal Trading Post was run by John B. Moore starting in 1897. He incorporated a new marketing technique that introduced Anglo-American customers to Navajo weaving through mail order catalogues. Each catalogue had a series of weaving patterns(comma) sizes(comma) qualities(comma) and colors from which the customer could choose. Although rugs were based on the catalogue patterns(comma) no two designs were ever the same. The Old Crystal type of weaving broke with traditional Navajo designs and incorporated popular Near Eastern rug motifs(comma) including adding borders and incorporating a central motif. Also characteristic of the Old Crystal style is a more muted color scheme(comma) with the incorporation of only red and touches of blue for bright colors. This example is based on a catalogue plate [#XXIV] from 1911 and is made of handspun wool with natural(comma) aniline(comma) and carded colors to create white(comma) black(comma) red(comma) and tan.</text>
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                <text>Dates: 1910-1915&#13;
Size: 222 x 132.5 cm; 6 warps(comma) 36 wefts&#13;
Description: Originally purchased at Crystal trading post in 1915. The Crystal Trading Post was run by John B. Moore starting in 1897. He incorporated a new marketing technique that introduced Anglo-American customers to Navajo weaving through mail order catalogues. Each catalogue had a series of weaving patterns(comma) sizes(comma) qualities(comma) and colors from which the customer could choose. Although rugs were based on the catalogue patterns(comma) no two designs were ever the same. The Old Crystal type of weaving broke with traditional Navajo designs and incorporated popular Near Eastern rug motifs(comma) including adding borders and incorporating a central motif. Also characteristic of the Old Crystal style is a more muted color scheme(comma) with the incorporation of only red and touches of blue for bright colors. Made of wool colored with aniline and vegetal dyes to create a pattern in browns and greys(comma) this design is based on the Moore 1911 catalogue(comma) plate XXVII.</text>
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                  <text>Navajo Rugs</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Dates: 1910-1915&#13;
Size: 203.5 x 137.5 cm; 7 warps(comma) 18 wefts&#13;
Description: This rug was bought in 1915 at the Crystal Trading Post. The Crystal Trading Post was run by John B. Moore starting in 1897. He incorporated a new marketing technique that introduced Anglo-American customers to Navajo weaving through mail order catalogues. Each catalogue had a series of weaving patterns(comma) sizes(comma) qualities(comma) and colors from which the customer could choose. Although rugs were based on the catalogue patterns(comma) no two designs were ever the same. The Old Crystal type of weaving broke with traditional Navajo designs and incorporated popular Near Eastern rug motifs(comma) including adding borders and incorporating a central motif. Also characteristic of the Old Crystal style is a more muted color scheme(comma) with the incorporation of only red and touches of blue for bright colors. This example is based on a catalogue plate [#XIX] from 1911 and is made of handspun wool with natural(comma) aniline(comma) and carded colors.</text>
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        <name>Crystal</name>
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        <name>Navajo Rugs</name>
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        <name>NM</name>
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        <name>Rug</name>
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            <name>Title</name>
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                <text>Dates: 1880-1890&#13;
Size: 196 x 144 cm; 9 warps(comma) 44 wefts&#13;
Description: This is an eyedazzler made with aniline dyed wool from Germantown(comma) PA(comma) to create shades of purple(comma) blue(comma) red(comma) green(comma) and white. Produced in the late 20th century(comma) the Germantown type of Navajo rug was made with machine spun and died wool that was brought into the area(comma) and often supplied to the weavers(comma) by trading post owners. These machine made materials introduced a more diverse number of bright colors that resulted in eye dazzling" creations."</text>
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        <name>Eyedazzler</name>
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      <tag tagId="41">
        <name>Navajo Rugs</name>
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        <name>Unknown</name>
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