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                <text>Dates: 1900-1915&#13;
Size: 134 x 139 cm; 7 warps(comma) 30 wefts&#13;
Description: Unusual rug that incorporates the Phase I chief's blanket style. Chief's blankets are considered the high point of traditional Navajo weaving. All chief's blankets are woven with a greater width than length and are characterized by broad horizontal black and white stripes with three perpendicular bands. Chief's blankets were traded by the Navajo to other indigenous groups(comma) including the Ute(comma) Plains groups(comma) and Pueblos. The phase I style is characterized by a more basic stripe pattern.&#13;
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                <text>Dates: 1960-1970&#13;
Size: 73 x 68 cm; 8 warps(comma) 62 wefts&#13;
Description: Although Ye'ii are sometimes found in rug designs prior to the 20th century(comma) the earliest known weaver to incorporate the figures into her weaving was Yanapah who was married to a trader based near Farmington(comma) New Mexico. Also in the early 20th century Will Evans(comma) the owner of Shiprock Trading Company(comma) promoted the Ye'ii design. The Ye'ii design is one of the most popular Navajo styles on the modern market. Ye'ii are religious deities based on traditional Navajo Sand paintings(comma) but lack the religious significance of the sand paintings. Typically male Ye'ii are woven with round heads(comma) while females have square heads. This Ye'ii rug was woven by Stella Jim.</text>
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                <text>Dates: 1970&#13;
Size: 199.5 x 110 cm; 11 warps(comma) 44 wefts&#13;
Description: In 1905 Hambleton Bridger Noel established a trading post in the Four Corners area due to the high quality of rugs being produced by Navajo women in the area. The regional style of Teec Nos Pos developed from this post. Teec Nos Pos rugs feature a wide border with repeating geometric motifs(comma) while the central portion is filled with complex designs that show a definite Near Eastern influence. Motifs include stylized feathers(comma) arrows(comma) hooks(comma) diamonds(comma) triangles(comma) and steps. This modern example was woven by Maude Dale using aniline dyed commercial yarn.</text>
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                <text>Dates: 1960-1969&#13;
Size: 124 x 69 cm; 8 warps(comma) 30 wefts&#13;
Description: This rug is an example of a more recent development in Navajo weaving called by traders and dealers reservation roads." These landscape pictorials place more emphasis on non-natural elements found in the modern Navajo world. Typically the scenes are compressed and include a wide range of houses(comma) cars(comma) and other objects. The "Reservation Roads" style might have developed in Monument Valley at the post of Donnehotso(comma) Arizona."</text>
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                <text>Dates: 1960-1970&#13;
Size: 230 x 178.5 cm; 8 warps(comma) 30 wefts&#13;
Description: After a decline in the Navajo rug market during the Great Depression(comma) a revival period(comma) focused in northeastern Arizona(comma) brought back stylized classic designs made with vegetable dyed wools. One of the best known regional types is the Ganado style. The modern regional Ganado type is distinguished by the use of predominately red(comma) gray(comma) ivory(comma) and black in bold designs. Motifs can include stepped diamonds and triangles(comma) central lozenges(comma) crosses(comma) and zigzags. This example of the regional type was woven by Redhouse Girl using commercial yarn for the grey(comma) as well as aniline and natural dyed wools for the other shades.</text>
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                <text>Dates: 1920-1930&#13;
Size: 166 x 112 cm; 9 warps(comma) 40 wefts&#13;
Description: Although Ye'ii are sometimes found in rug designs prior to the 20th century(comma) the earliest known weaver to incorporate the figures into her weaving was Yanapah who was married to a trader based near Farmington(comma) New Mexico. Also in the early 20th century Will Evans(comma) the owner of Shiprock Trading Company(comma) promoted the Ye'ii design. The Ye'ii design is one of the most popular Navajo styles on the modern market. Ye'ii are religious deities based on traditional Navajo Sand paintings(comma) but lack the religious significance of the sand paintings. Typically male Ye'ii are woven with round heads(comma) while females have square heads.</text>
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                <text>Dates: 1960-1970&#13;
Size: 174 x 105 cm; 9 warps(comma) 38 wefts&#13;
Description: Although Ye'ii are sometimes found in rug designs prior to the 20th century(comma) the earliest known weaver to incorporate the figures into her weaving was Yanapah who was married to a trader based near Farmington(comma) New Mexico. Also in the early 20th century Will Evans(comma) the owner of Shiprock Trading Company(comma) promoted the Ye'ii design. The Ye'ii design is one of the most popular Navajo styles on the modern market. Ye'ii are religious deities based on traditional Navajo Sand paintings(comma) but lack the religious significance of the sand paintings. Some Ye'ii weavings add in the additional element of an elongated figure that wraps around three sides of the image. This figure is the rainbow guardian. Such rugs also typically incorporate corn stalks(comma) snakes(comma) rattles(comma) and pine boughs or yucca designs. This white Ye'ii rug was made by Louise Dale Frazier.</text>
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                <text>Dates: 1970&#13;
Size: 139 x 96 cm; 4 warps(comma) 20 wefts&#13;
Description: Twill is a common form of the double weave(comma) which uses four heddles instead of the regular two used in plain weaves. The four heddles are manipulated to produce a diagonal or diamond raised weave. Although there are archaeological examples of the technique(comma) it did not become common until the 1880's. Double weaves were typically used for creating saddle blankets because they are almost double the thickness of a plain weave. This example of a twill saddle blanket has different color schemes to the patterns on each side.</text>
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                <text>Dates: 1890-1910&#13;
Size: 141 x 90 cm; 12 warps(comma) 20 wefts&#13;
Description: This is an example of a double saddle blanket made using the twill weaving technique. Twill is common form of the double weave(comma) which uses four heddles instead of the regular two used in plain weaves. The four heddles are manipulated to produce a diagonal or diamond raised weave. Although there are archaeological examples of the technique(comma) it did not become common until the 1880's. Double weaves were typically used for creating saddle blankets because they are almost double the thickness of a plain weave. The blanket shown here may be woven from an experimental carpet yarn introduced by Lorenzo Hubbell in 1890's.</text>
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                <text>Dates: 1880-1890&#13;
Size: 218 x 114 cm; 6 warps(comma) 26 wefts&#13;
Description: Eyedazzler designs are known for their unusually bright colors and intricate designs that create an optical effect. The bright colors are a result of Germantown(comma) PA(comma) wool yarns that were traded/supplied to Navajo weavers predominantly during the Transitional Period (1880-1895). Blankets from this Transitional Period are also characterized by banded ends. This example has diamond patterns in yellow(comma) black(comma) orange(comma) white(comma) blue(comma) on red background.</text>
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