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                <text>Dates: 1880-1900&#13;
Size: 99 x 71 cm; 9 warps(comma) 38 wefts&#13;
Description: Produced in the late 20th century(comma) the Germantown type of Navajo rug was made with machine spun and died wool from near Philadelphia that was brought into the area(comma) and often supplied to the weavers(comma) by trading post owners. These machine made materials introduced a more diverse number of bright colors that resulted in eye dazzling" creations. The smaller size of this example implies that it was likely used for a saddle blanket."</text>
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                <text>Dates: 1960-1970&#13;
Size: 110 x 78.8 cm; 8 warps(comma) 38 wefts&#13;
Description: After a decline in the Navajo rug market during the Great Depression(comma) a revival period brought back stylized classic designs without borders made with vegetable dyed wools. One of the regional styles to develop during this period(comma) starting in the 1940's(comma) was the Wide Ruins type. Rugs made in this style are characterized by a three banded pattern made from complex and fine weaving technique. This example used vegetal dye in brown(comma) mustard(comma) yellow(comma) and white to create striped pattern with three rows of parallelograms in alternating colors.</text>
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                <text>Dates: 1900-1920&#13;
Size: 245 x 147 cm; 6 warps(comma) 16 wefts&#13;
Description: Although there a few examples of pictorial images in Navajo weaving as early as the 1840's(comma) pictorial rugs only became prominent beginning in the 1890's. This example incorporates various objects into the rug design(comma) including arrows(comma) bows(comma) machetes(comma) and wool combs.</text>
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                <text>Dates: 1900-1915&#13;
Size: 192.5 x 139 cm; 6 warps(comma) 18 wefts&#13;
Description: The Crystal Trading Post was run by John B. Moore starting in 1897. He incorporated a new marketing technique that introduced Anglo-American customers to Navajo weaving through mail order catalogues. Each catalogue had a series of weaving patterns(comma) sizes(comma) qualities(comma) and colors from which the customer could choose. Although rugs were based on the catalogue patterns(comma) no two designs were ever the same. The Old Crystal type of weaving broke with traditional Navajo designs and incorporated popular Near Eastern rug motifs(comma) including adding borders and incorporating a central motif. Also characteristic of the Old Crystal style is a more muted color scheme(comma) with the incorporation of only red and touches of blue for bright colors. This is likely one of the J.B Moore patterns made of natural and aniline dyed wools.</text>
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        <name>Navajo Rugs</name>
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                <text>Dates: 1920-1940&#13;
Size: 196 x 129.5 cm; 7 warps(comma) 28 wefts&#13;
Description: After a decline in the Navajo rug market during the Great Depression(comma) a revival period(comma) focused in northeastern Arizona(comma) brought back stylized classic designs made with vegetable dyed wools. One of the best known regional types is the Ganado style. The modern regional Ganado type is distinguished by the use of predominately red(comma) gray(comma) ivory(comma) and black in bold designs. Motifs can include stepped diamonds and triangles(comma) central lozenges(comma) crosses(comma) and zigzags. This example has a large central 8-point star(comma) feathers(comma) and crosses made with natural and aniline dyed wools.</text>
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        <name>Ganado</name>
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        <name>Ganado Rug</name>
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                <text>Dates: 1925-1935&#13;
Size: 136.5 x 75.5; 8 warps(comma) 36 wefts&#13;
Description: This rug is likely an example of the Chinle Revival style(comma) a regional variation developed beginning in the 1920's that promoted a return to traditional patterns and natural dyes. Chinle style rugs are borderless and consist of a fairly simple banded pattern that often incorporates blossoms(comma) chevrons(comma) diamonds(comma) and squash designs in pastel or earth-tones. This rug(comma) made of natural and aniline dyed wools(comma) consists of rows of stylized stars and diamonds.</text>
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                <text>Dates: 1927&#13;
Size: 162 x 168 cm; 10 warps(comma) 44 wefts&#13;
Description: This Eagle Catching ceremonial pattern rug depicts the Sacred Twins participating in the Female Feather Chant. It is the first pictorial rug woven by Gladys Manuelito(comma) who was a niece of Hosteen Klah and part of a long family tradition of weavers. Gladys predominantly specialized in making Sandpainting rugs.</text>
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        <name>Newcomb</name>
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        <name>Pictorial Rug</name>
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                <text>Dates: 1975&#13;
Size: 239 x 180 cm; 12 warps(comma) 40 wefts&#13;
Description: In 1905 Hambleton Bridger Noel established a trading post in the Four Corners area due to the high quality of rugs being produced by Navajo women in the area. The regional style of Teec Nos Pos developed from this post. Teec Nos Pos rugs feature a wide border with repeating geometric motifs(comma) while the central portion is filled with complex designs that show a definite Near Eastern influence. Motifs include stylized feathers(comma) arrows(comma) hooks(comma) diamonds(comma) triangles(comma) and steps. This outline rug woven by Louise Benally won third prize at the 1975 Gallup Intertribal Ceremonial.</text>
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                  <text>Navajo Rugs</text>
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                <text>Dates: 1960-1976&#13;
Size: 136.5 x 107 cm&#13;
Description: In 1905 Hambleton Bridger Noel established a trading post in the Four Corners area due to the high quality of rugs being produced by Navajo women in the area. The regional style of Teec Nos Pos developed from this post. Teec Nos Pos rugs feature a wide border with repeating geometric motifs(comma) while the central portion is filled with complex designs that show a definite Near Eastern influence. Motifs include stylized feathers(comma) arrows(comma) hooks(comma) diamonds(comma) triangles(comma) and steps. This example of the storm pattern was woven by Lena Chy and also draws on individual elements of the Navajo religion(comma) including cornstalk(comma) tree of life symbology(comma) birds(comma) ceremonial baskets(comma) and tobacco plants.</text>
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        <name>Donnehotso</name>
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        <name>Navajo Rugs</name>
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        <name>Storm Pattern Rug</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Dates: 1978&#13;
Size: 125.5 x 70 cm; 10 warps(comma) 48 wefts&#13;
Description: The Ye'ii Bicheii rug is similar to the Ye'ii design but the figures are portrayed in profile and symbolize human dancers representing deities rather than the deities themselves. These dancers are participants in the Nightway Chant(comma) which is a nine day Navajo healing ceremony. At the lead of the dancers(comma) in a white mask(comma) is the Ye'ii Bicheii(comma) or “Talking God” who appears on the last day of the ceremony. Often the design incorporates a Medicine Man (Hatathli) at the head of the line(comma) facing the lead dance(comma) and a Clown(comma) or Water Sprinkler(comma) at the end of the line of dancers. Sometimes the Medicine Man is accompanied by a dancer holding a ceremonial basket. The Ye'ii Bicheii rug design is not as common as the regular Ye'ii. This version woven by Anna Peshlakai includes the figure of a woman holding a ceremonial basket at the head of the line of dancers and the rainbow guardian around all four sides(comma) which are not typically included in such designs.</text>
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        <name>Yeii Bicheii Rug</name>
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